Form & Genre
Intercultural Theatre & Performance
Category
‘Interculturalism’ describes cultural interaction which combines the methods of one culture with those of others. In practice, this often means the influence of non-Western traditions on Western art.
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Drawing on a half century of documenting performance across multiple genres, from post-modern dance to physical theater to body work, as well as site-specific performance, with audiovisual examples from some 53 practitioners, including Eugenio Barba, Tim Etchells, Joan Skinner, Kristin Linklater, and Steve Paxton, Peter Hulton’s “A Digital Essay on Performance”considers performance as a body in operation with imagery and attempts to identify some of its foundational features.
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Travis Preston, Dean speaks about innovation and entrepreneurism in training the 21st century actor.
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Sasi speaks on the Singaporean perspective of interculturalism and performer training.
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Dr. Ricard G. Abad and Melissa Vera M. Maramara speak on the impact of interculturalof actor training in the Philippines.
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Dr Tom Cornford speaks about diversity, inclusion, and social justice in contemporary actor training.
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Glenda Linscott speaks about approaches to training actors in contemporary Australia.
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Heather Timms speaks on the bicultural approach of actor training in New Zealand.
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Lisa Mayo of the Kuna and Rappahannock Nations was a founding member of the Native
American women’s feminist theatre group, Spiderwoman Theater. She was a singer,
actor, and playwright who wrote and performed with Spiderwoman Theater for 35
years.
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Kwei-Armah discusses the impact of August Wilson’s work, including Gem of the Ocean, and attitudes towards African-American and Afro-Caribbean drama.
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Brewster on her childhood in Jamaica, training at Rose Bruford and her subsequent career, as well as the difficulties of getting work as a black actress and the experiences of her contemporaries.
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A film following the street performance Anabasis in Peru. It was an itinerant performance, based on exploiting the connections between the actors and the spectators who they encounter on their way.
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Documentary of the 2009 Bagamoyo Festival.
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Strindberg Laboratory’s “demonstration project” through California
Arts Council’s “Prison Project” involving people who are about to be released
back into society.
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Conquest and Prison is a two-part suite of site-specific dance films set
in Grahamstown, South Africa. The two oldest historical sites in Grahamstown are Ft.
Selwyn and the Old Gaol, which imprisoned thousands of black South Africans. The
choreography of Part I "Oscar's Journey" is Oscar Buthelezi's personal response to the
history of colonialism commemorated at Ft. Selwyn. Part II "Child's Play" is similar to
the approach in "Oscar's Journey." "Chorographers Lorin Sookool and Julia Wilson reflect
on the past as the sounds and images of the gaol continue to echo and resonate today.
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This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
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Video
From Starting to Cut the Wood translates the sounds of manual labor into
dance.
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This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
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In between researches stillness and transition, focusing on the moments,
during which nothing seems to happen, but without which, nothing can
happen.
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Zarrilli’s Psychophysical Acting methodology focuses on the relationship between the actor-as-doer and what the actor does. It (re)examines in practice and theory a psychophysical approach to acting.
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Videotaped in Kerala, India in 1993 and 1995, this film explains Kathakali's basic make-up types, the context of performance, the process and techniques of training, and performance preliminaries.
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Kaash (Hindi word for ‘if’) was created in 2002 by Akram Khan when he was choreographer in residence of the Royal Festival Hall. He teamed up with celebrated talents Anish Kapoor and Nitin Sawhney.
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Zarrilli’s Psychophysical Acting methodology focuses on the relationship between the actor-as-doer and what the actor does. It (re)examines in practice and theory a psychophysical approach to acting.
Video
MaKuYa Festival is an art festival which highlights the traditions and cultural
aspects of a three tribes consortium.
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The film is a documentary about the life of a female shaman Kim Keum-hwa, who was shunned for being possessed by spirits as a girl and oppressed for following superstitions as an adult. It depicts how she grows to be a great shaman who embraces the pain of all people, and how she comes to be honoured as a national treasure of Korea because of her outstanding artistic talents throughout Korea’s tumultuous history. The film is based on the autobiography “Bidankkob Neom-Se” by Kim Keum-hwa.
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Video
Siddi theatre performers and sisters, Geeta and Girija Siddi, performing in a
two-week festival, Telling Our Stories of Home: Exploring and Celebrating
Changing African & African Diaspora Communities.
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A film made by Rekha Tandon’s company, Dance Routes, that begins with a description of Odissi’s background as a temple dance tradition, and an account of its basic form and ornamentation.
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POETRY LIVE(S) introduces us to the lively diversity
of practicing poets --- young, old, men, women,
novices and veterans, black and white.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
QUEENS DREAM is a site-specific dance for film at Niki de St. Phalle's Queen
Califia's Magical Circle.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
Sun, Moon and Feather presents a musical comedy-documentary about three Native American sisters growing up Native in an Italian neighbourhood in Brooklyn during the 1930s and 1940s.
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This film documents the work of Iben Nagel Rasmussen (Odin Teatret) with her
international group The Bridge of Winds during a two-week closed work session held
in December 2011.
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Malika Ndlovu excavates universal themes of
self-discovery, the claiming of voice for the silenced, personal and social
transformation and the continuous awakening of the human spirit.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Audio
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Commentary
by Peter Hulton
Drawing on a half century of documenting performance across multiple genres, from post-modern dance to physical theater to body work, as well as site-specific performance, with audiovisual examples from some 53 practitioners, including Eugenio Barba, Tim Etchells, Joan Skinner, Kristin Linklater, and Steve Paxton, Peter Hulton’s “A Digital Essay on Performance”considers performance as a body in operation with imagery and attempts to identify some of its foundational features.
Commentary
by Peter Zazzali
A six-part series featuring conversations with some of the foremost trainers across
four continents on subjects ranging from the cultural and political to
the professional and pedagogical.
Commentary
by McPherson, Katrina
Commentary
by Freeman, Mark
Reflections on Poetry Lives by Mark Freeman.
Commentary
by Freeman, Mark
Reflections on Queen Dream by Mark Freeman.
Practitioner
Eugenio Barba created Odin Teatret in Norway in 1964, having worked with Jerzy Grotowski for three years in Poland. Now based in Denmark, its members come from a dozen countries and three continents.
Practitioner
Yvonne Brewster was born in Jamaica in 1938. She set up Jamaica’s first professional theatre company at the Barn Theatre Kingston, and also co-founded the Talawa Theatre Company in the UK, in 1985.
Practitioner
Tadashi Endo is a butoh dancer and teacher. He met Kazuo Ohno in 1989 and has since been deeply influenced by his work. He is founder and director of Germany’s Butoh-Center and Butoh-Festivals MAMU.
Practitioner
Akram Khan is one of the UK’s most acclaimed choreographers. Artistic Director of Akram Khan Company, he creates uncompromising artistic narratives which challenge conventional ideas of form.
Practitioner
Geeta Siddi, a theatre school graduate, who performs in Nimilita.
Practitioner
Girija Siddi, a theatre school graduate, who performs in Nimilita.
- Antonin Artaud
- Ariane Mnouchkine
- Bertolt Brecht
- Border Art
- Cultural Interaction
- Ethics of Exchange and Difference
- Eugenio Barba
- Intercultural Theatre and Performance
- Jerzy Grotowski
- Julie Taymor
- Patrice Pavis
- Peter Brook
- Postmodernism
- Relationships of Power
- Richard Schechner
- Robert LePage
- Robert Wilson
- Rustom Bharucha
Related Items
Practitioner
Inventor of an influential somatic and performance practice known as ‘Joged Amerta’, Suprapto Suryodarmo has taught and performed in Indonesia, Europe, Australia, the USA and India for over 25 years.
