Commentators

Magnat, Virginie

Commentator

Virginie Magnat is Associate Professor of Performance at the University of British Columbia. She works at the intersection of performances studies, cultural anthropology, experimental ethnography, and Indigenous research methodologies. Her monograph Grotowski, Women, and Contemporary Performance: Meetings with Remarkable Women (Routledge 2014) http://www.routledge.com/9780415813594 and its companion documentary film series, featured on the Routledge Performance Archive, are grounded in four years of embodied research and multi-sited fieldwork supported by two major research grants from the Social Sciences and Humanities Research Council of Canada. Her current research project, also funded by two SSHRC grants, explores the performative power of vocality envisioned as a vital source of human creativity and an embodied mode of cognition grounded in process, practice, and place, as well as a form of social and political agency. This project will culminate in a monograph contracted by Routledge. Her publications have appeared in North American and international scholarly journals as well as edited collections in the fields of theatre and performance studies, anthropology, ethnomusicology, sociology, qualitative inquiry, and literary criticism in English, French, Polish, Italian, and Spanish.


Related Items

00:13:02
Meetings poster asset
Katharina Seyferth introduces the forest-based work space of Brzezinka, as she recounts her experience of Grotowski's post-theatrical research known as "Paratheatre" and "Theatre of Sources."
00:27:22
Meetings poster
Documenting the research and teaching of Ewa Benesz during two work sessions that she led in Italy, offering an unprecedented insight into her artistic approach to performance.
00:54:29
Meetings poster
This piece, conceived and directed by Seyferth, is based on Gertrude Stein's Tender Buttons: Objects, Food, Rooms.
00:58:20
The Bridge of Winds. International Group of Theatrical Research Led by Iben Nagel Rasmussen
This film documents the work of Iben Nagel Rasmussen (Odin Teatret) with her international group The Bridge of Winds during a two-week closed work session held in December 2011.
00:59:50
Meetings poster asset
By providing unprecedented access to the work of Grotowski’s women collaborators, this film, featuring Rena Mirecka, offers a more inclusive assessment of Grotowski’s enduring legacy.
00:13:34
Meetings poster asset
Katherina Seyferth’s training methodology includes yoga-based movement and plastiques, as well as exercises focusing on the passage from stillness to movement and accessing one's organic drive.
00:19:11
Meetings poster asset
Documenting a three-day work session introducing participants to key aspects of the training Rasmussen developed with her group, The Bridge of Winds, culminating in a Montage of Actions and Songs.