Practitioners

Boal, Augusto

Practitioner

The inventor of the internationally renowned Forum Theatre system and ‘Theatre of the Oppressed’, including Image Theatre, Invisible Theatre, Rainbow of Desire and Legislative Theatre, Augusto Boal travelled the world giving workshops and inspiration to teachers, psychotherapists, prisoners, actors, and workers in myriad other fields. He was a visionary as well as a man of his time: the Brazil of military dictatorship and artistic and social repression.

This political man of the theatre, and theatrical man of politics – once imprisoned for his subversive activities – was a passionately creative force in contemporary cultural life. [..] He devised a unique way of using the stage to empower the disempowered, and took his methods from the favelas of Rio to the rehearsal studios of the Royal Shakespeare Company.


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Levinsky 1
Video
This video captures a typical progression in Levinsky’s teaching of biomechanics, from work with sticks to footwork, balance and simple twirling skills, culminating in a demonstration of solo études.
Subject
Popular theatre embraces practices including melodrama, street theatre, circus, vaudeville, clowning and musicals. Historically, it encompasses both commercial and political theatre for the people.
Category
Environmental theatre, like site-specific work, aims to alter the conventional spatial practices of performance and to enhance the performance’s engagement with its space and site of production.
Category
Improvisation is the spontaneous invention of performance. But while it specifies a particular form, elements of improvisation are intrinsic to all performance and the quality of liveness it produces.
Category
The term ‘installation art’ has been used since the 1960s to designate art practice which explicitly aims to include and refer to its site and context as a crucial constituent of its meanings.
Category
Para literally means ‘beyond’. In theatre practice, paratheatre therefore lies outside and beyond the spatial, temporal and structural forms of performance, denoting related practices instead.
Category
Coined by Augusto Boal, this term has been adopted internationally to denote a way of creating theatre and conducting paratheatrical work to achieve his aims of social franchisement and agency.