Comedy

Clowns & Clowning

Category

Clowns are predominantly physical performers, and there are a number of different traditions and ‘schools’ of clowning. Clowns often operate through self-deprecation, and so whilst we laugh at them they also illicit our empathy. With their historic connection to the court jester, clowns can share a similar function socially and performatively: to create an uncomfortable type of laughter in which we are implicated in social dysfunction. Often performing in exaggerated or oversized brightly coloured clothing and with extraordinary non-realist make-up, clowns have larger-than-life physical personae, sometimes grotesque and at others simple, but overstated. Clowns often perform with high levels of physical risk as part of their movement vocabulary. Whilst having an arsenal of tricks, jokes and comic performance strategies, they also have to be able to work spontaneously and directly with their audiences’ response as well as with their fellow performers.

Image: Courtesy of Avner Eisenberg


01:43:04
Eisenberg
Video
A workshop on Eccentric Performing. This pedagogy for physical theatre is interesting in its presentation of techniques the performer can use to influence the audience’s emotional reactions.
Practitioner
Avner Eisenberg has been called ‘a clown for the thinking man’. From 1971–4, he studied with Jacques Lecoq. At present, he is still touring internationally with his award-winning one-man show.
Practitioner
A director, teacher and actor, Jos Houben trained at L’École Jacques Lecoq, was a founding member of Complicité, has directed comedy and television, and toured his one-man masterclass internationally.


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Practitioner
Avner Eisenberg has been called ‘a clown for the thinking man’. From 1971–4, he studied with Jacques Lecoq. At present, he is still touring internationally with his award-winning one-man show.
Category
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