Mike Pearson
Brith Gof
Commentary
Mike Pearson considers the contents, and context, of three workshop sessions which took place ‘at an important moment for Brith Gof’ – Pearson was the company’s Artistic Director.
Pearson takes a group of practitioners through the many exercises that formed the central concerns of Brith Gof. These include physical training, spatial and temporal awareness and group choreography.
Pearson takes a group of practitioners through the many exercises that formed the central concerns of Brith Gof. These include physical training, spatial and temporal awareness and group choreography.
Pearson takes a group of practitioners through the many exercises that formed the central concerns of Brith Gof. These include physical training, spatial and temporal awareness and group choreography.
Pearson takes a group of practitioners through the many exercises that formed the central concerns of Brith Gof. These include physical training, spatial and temporal awareness and group choreography.
Pearson takes a group of practitioners through the many exercises that formed the central concerns of Brith Gof. These include physical training, spatial and temporal awareness and group choreography.
- Arturius Rex
- Brith Gof
- Camlann
- Cardiff Laboratory Theatre
- Centre for Performance Research
- Cusanu Esgyrn
- D.O.A.
- Dave Levett
- Eugenio Barba
- Forced Entertainment
- Francisco Goya
- Gododdin
- Haearn
- Improvisation
- Jerzy Grotowski
- John Rowley
- Living Theatre
- Open Theatre
- Pax
- RAT Theatre
- Richard Morgan
- Station House Opera
- The Disasters of War
- Venezuela
- Wales
- Workshop