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Phillip Zarrilli, Professor of Drama at Exeter University, is internationally known for training actors using a psychophysical process combining yoga and the Asian martial arts, and as a director.
Zarrilli’s Psychophysical Acting methodology focuses on the relationship between the actor-as-doer and what the actor does. It (re)examines in practice and theory a psychophysical approach to acting.
Zarrilli’s Psychophysical Acting methodology focuses on the relationship between the actor-as-doer and what the actor does. It (re)examines in practice and theory a psychophysical approach to acting.
Videotaped in Kerala, India in 1993 and 1995, this film explains Kathakali's basic make-up types, the context of performance, the process and techniques of training, and performance preliminaries.
Zarrilli’s Psychophysical Acting methodology focuses on the relationship between the actor-as-doer and what the actor does. It (re)examines in practice and theory a psychophysical approach to acting.
Zarrilli’s Psychophysical Acting methodology focuses on the relationship between the actor-as-doer and what the actor does. It (re)examines in practice and theory a psychophysical approach to acting.
Zarrilli’s Psychophysical Acting methodology focuses on the relationship between the actor-as-doer and what the actor does. It (re)examines in practice and theory a psychophysical approach to acting.
Rekha Tandon is a performer, choreographer and researcher trained in Odissi, one India’s eight classical dance forms. She is Artistic Director of Dance Routes, which reworks Odissi in modern ways.
Kathakali dance-drama is a distinctive genre of South Asian performance which developed during the 16th and 17th centuries in the Malayalam-speaking coastal region of south-west India, Kerala State.
In performance, what separates puppets from art objects, or curios hung on a domestic or art gallery wall, is the puppeteer or performer’s ability to manipulate the object and thus bring it to ‘life’.