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While it can describe theatre and performance that incorporates dance and music, multimedia performance more commonly specifies work that mixes live performance with machines and/or mediated forms.
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Site-specific performances reveal cities as places of wild nature, elemental movement, social space, and nature restructured with technology all creating a field of converging flows and energies comprising a lived experience.
This clip represents, in the artist’s own words, ‘a performative investigation in artificial identity, representation, doppelgangers, drag and the fluid borders of authorship and collaboration’.
Back to Back Theatre creates new forms of contemporary performance imagined
from the minds and experiences of a unique ensemble of actors with disabilities,
giving voice to social and political issues that speak to all people.
Based in the regional centre of Geelong, the company is one of Australia’s
most globally recognised and respected contemporary theatre companies. Seeking
to make a body of work that exists in repertoire across time, the company tours
extensively locally, nationally, and internationally.
Pangaean Dreams is a multimedia piece which leads the audience on a shamanic journey back 250 million years to the time when the earth’s continents were all fused into one.
A public domain
theatre show,
part voyeuristic meditation, part urban
thriller, it unfolds amidst the high volume
pedestrian traffic of a public
space.
Sun, Moon and Feather presents a musical comedy-documentary about three Native American sisters growing up Native in an Italian neighbourhood in Brooklyn during the 1930s and 1940s.
A look at the science behind human perception through performance lectures,
surround sound, hidden televisions, and sweeping panoramic views of the London
skyline.
A look at the science behind human perception through performance lectures,
surround sound, hidden televisions, and sweeping panoramic views of the London
skyline.
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
‘Each recorded text reveals a paradigm shift and an emotional faultline in my biographical journey to the North and my scary journey to the heart of the US Art World. This is one such audio text.’
Urban Sensographis examines the effects the evolution of the cities in the 21st century has on the practices and behaviours of urban dwellers. Key factors such as defensible, retail and consumer space, the lasting legacies of modernist design in the built environment, surveillance technologies, motorised traffic, and smart phone use, the integration of ‘wild’ as well as ‘domesticated’ nature in urban planning and living, as well as the impact of urban pollution on the earth’s climate.
A winner of OBIE, Rockefeller, Getty, NEA and CAA awards, among many others, Rachel Rosenthal was an internationally recognised pioneer in the fields of feminist and ecological performance art.
Goat Island was a Chicago-based collaborative performance group that made nine intimate, low-tech and intensely physical performance works that toured internationally, between 1987 and 2009.
Challenging ideas of coherent identity, universal value and truth as not only impossible but also duplicitous, postmodernism explores how meaning is always multiple and contingent on contexts.