Performance Art / Live Art & Performance
Postmodernism & Performance
Category
Challenging ideas of coherent identity, universal value and truth as not only impossible but also duplicitous, postmodernism explores how meaning is always multiple and contingent on contexts.
Video
Active Breath Somatic Practice – the vital relationship of the breath in performance practice, Patricia Bardi, Lecture-Presentation at the Breath as a Tool in Performance Conference– National Centre for the Performing Arts.
Video
Gavin Krastin is a choreographer and performance artist. He
describes himself as “a gay, white, South African of a certain privilege and
class in relation to other bodies.” He suggests that BODY/BAG deals with race
and is intended to “expose and speak to the larger politics that affect us
all.”
Video
Solo performance vocalizing a US State Department questionnaire, a woman’s response to being mugged, and a existential soliloquy.
Video
CoNCrEte (2009)
screendance reveals
how the environment affects our emotions and ever-changing lived
experience.
Video
This video is documentation of an exercise with 3rd year graduate actors at
the UC Irvine Actor-Training program, speaking a monologue while contacting with
a silent partner. At a moment of heightened activity, the silent
partner is removed, and the resulting delivery of the monologue is focused and
intensely communicated.
The athleticism and sensitivity of the contact created a culture of
expressivity. Tenderness as well as rage and challenge emerged in the contact
session and remained present in the solo monologue. So, the complexities of
emotion that were embodied metaphorically and rhythmically in the extreme lifts
and rolls and balances of the partnering could be seen as an emotional
“rehearsal” for the solo performance. But once the partner was removed, the
speaker had to reach out to us, and address each deeply felt idea to the
audience in the room.
No longer in a contact with the literal “other,” we, the audience, now become
the necessary focus.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
Walking Gusto Productions
explores the marginalised and disempowered female voices of South Africa by
using the body as a “site of resistance”
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
A solo performance boldly exploring female empowerment and resilience in the context of male behaviour.
Video
Video
Pangaean Dreams is a multimedia piece which leads the audience on a shamanic journey back 250 million years to the time when the earth’s continents were all fused into one.
Video
POETRY LIVE(S) introduces us to the lively diversity
of practicing poets --- young, old, men, women,
novices and veterans, black and white.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
Soldier, Child, Tortured Man (1989) was Goat Island’s first performance. It considered the physical and mental conditioning that militarises first the individual and then the social structure.
Video
The Lastmaker (2007) was Goat Island’s ninth and final performance, composed by the group with ending in mind. The piece took its inspiration from the historical trajectory of the Hagia Sophia.
Video
The Organs’ Presence in Voice, Movement and Expression Workshop, Patricia Bardi holds a workshop on combining somatic practice and improvisation in integrating voice and movement in a creative process.
Video
This 1994 clip documents performance activist Guillermo Gómez-Peña’s work with his organisation, the international performance troupe La Pocha Nostra.
Video
Inthis lively performance, Patricia Bardi shares some of her discoveries and insights that have developed over many years of independent research and performance practice of Vocal Dance. Performed at the SDNO, School for New Dance Development, Amsterdam, 1995.
Commentary
by Annie Loui
Contact improvisation is a form of dance improvisation based on energy and weight
exchange, incorporating elements of aikido, jitterbugging, child’s play, and
tumbling
Commentary
by Freeman, Mark
Reflections on Poetry Lives by Mark Freeman.
- Acting/Performing
- Death of the Author
- Democratic
- Destabilizing identity
- Devising
- Duplicitous
- Jean Baudrillard
- Meta-representational
- Multiple Meaning
- Performance
- Performance Art
- Postmodern Art Practice
- Postmodern Performance
- Postmodernism
- Process Over Product
- Roland Barthes
- Self-conscious
- Simulation
- Wooster Group
