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Duelos (Performance vs. Video): A muerte (Segundo duelo)

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This clip represents, in the artist’s own words, ‘a performative investigation in artificial identity, representation, doppelgangers, drag and the fluid borders of authorship and collaboration’.

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by T. Nikki Cesare Schotzko
T. Nikki Cesare reflects on Homo Fronterizus: Recent Performance Video Works 2008–11, a ‘performative investigation in artificial identity’ by GGP and videographer Gustavo Vazquez.
Guillermo Gómez-Peña is an artist, writer, activist, radical pedagogue and director of the performance troupe La Pocha Nostra. His work has contributed to debates on diversity and border culture.
T. Nikki Cesare is Assistant Professor at the University of Toronto. She has published articles in Performance Research, Theatre Journal, and TDR, where she edits Critical Acts with Gelsey Bell.