Stanislavsky and the Contemporary Theatre: A Lecture, 2011
Video
The Stanislavski Centre Annual Lecture sees a major international figure lecturing based upon their own expertise in the field of Stanislavsky studies every year – in this case, Anatoly Smeliansky.
- 1900s
- 1920s
- 2010s
- Actor Training
- Anatoly Smeliansky
- August Strindberg
- Directing
- Edvard Munch
- Ernst Toller
- Eugene O'Neill
- Expressionism
- Expressionist Acting
- Expressionist Theatre
- Frank Wedekind
- Georg Kaiser
- Germany
- Konstantin Stanislavski
- Lecture
- Mary Wigman
- Method Acting
- Naturalism
- Non-naturalistic
- Oscar Kokoschka
- Philip Wigley
- Psychoanalysis
- Psychophysical Acting
- Realism
- Rose Bruford College
- Russian Theatre
- Sean O'Casey
- Sidcup
- Sophie Treadwell
- The Cabinet of Dr Caligari
- The Rose Theatre, Kingston, London
- The Scream
- The Stanislavski Centre
- Visual Art
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Commentary
by Bella Merlin
Bella Merlin draws together the threads of insight into Smeliansky’s work, Stanislavsky and Russian theatre contained in the RPA’s six resources featuring the Head of the Moscow Art Theatre School.
Practitioner
With his insights into acting and directing, Konstantin Stanislavski forged a definitive position in the development of 20th-century theatre, laying the groundwork for innovators such as Grotowski.