Form & Genre

Commedia dell’Arte

Category

Commedia dell’arte is a performance form that originated in Italy during the sixteenth century. The form is based on highly physical improvised performance around sketches or scenarios. The performers work with stock or fixed character types such as the soldier, the doctor or Arlecchino, the misbehaving servant. Associated with masked performance, originally commedia dell’arte was performed by travelling troupes of performers who might perform in village squares or marketplaces or in the palaces of wealthy Italian families who acted as patrons. Commedia dell’arte was appropriated and adapted by many other European performers and theatres, and whilst still performed in its classic form today, it can also be seen to have influenced and to have been adapted by contemporary literary as well as physical theatre.

Image: Photograph © Marcella Fava, 2011


00:09:21
A Digital Essay on Performance
Video
Drawing on a half century of documenting performance across multiple genres, from post-modern dance to physical theater to body work, as well as site-specific performance, with audiovisual examples from some 53 practitioners, including Eugenio Barba, Tim Etchells, Joan Skinner, Kristin Linklater, and Steve Paxton, Peter Hulton’s “A Digital Essay on Performance”considers performance as a body in operation with imagery and attempts to identify some of its foundational features.
01:25:37
Masks of the Commedia DellArte - Asset Thumbnail Image
Video
An intensive commedia course, taught by Antonio Fava, with a commentary by John Rudlin. The workshop was observed by John Retallack, Director of the Oxford Stage Company.
Commentary
by Peter Hulton
Drawing on a half century of documenting performance across multiple genres, from post-modern dance to physical theater to body work, as well as site-specific performance, with audiovisual examples from some 53 practitioners, including Eugenio Barba, Tim Etchells, Joan Skinner, Kristin Linklater, and Steve Paxton, Peter Hulton’s “A Digital Essay on Performance”considers performance as a body in operation with imagery and attempts to identify some of its foundational features.
Commentary
by McPherson, Katrina
Practitioner
Actor, director, writer, flautist, mask-maker and teacher, Antonio Fava worked with Dario Fo and Jacques Lecoq before founding Teatro del Vicolo with Dina Buccino. He also performs with his children.


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Practitioner
Actor, director, writer, flautist, mask-maker and teacher, Antonio Fava worked with Dario Fo and Jacques Lecoq before founding Teatro del Vicolo with Dina Buccino. He also performs with his children.
Category
Physical comedy prioritises the body as a signifier in performance, playing on comic dimensions and potential, and requiring a level of training that focuses on gymnastic as well as comic skills.