Access to the full text of the entire article is only available to members of institutions that have purchased access. If you belong to such an institution, please log in or find out more about how to order.

Form & Genre

Site-Specific Performance

Category
content locked

Site-specific performance is produced in non-theatre sites, and aims to engage with the meaning and history or creative impetus of those sites, and reach audiences who might not come to the theatre.


00:09:21
A Digital Essay on Performance
Video
Drawing on a half century of documenting performance across multiple genres, from post-modern dance to physical theater to body work, as well as site-specific performance, with audiovisual examples from some 53 practitioners, including Eugenio Barba, Tim Etchells, Joan Skinner, Kristin Linklater, and Steve Paxton, Peter Hulton’s “A Digital Essay on Performance”considers performance as a body in operation with imagery and attempts to identify some of its foundational features.
00:06:29
Atena/Nets
Video
Atena/Nets is a collaboration among up-and-coming Ghanaian choreographers featuring the quotidian theater found in the streets, markets and popular culture of contemporary Ghana.
01:05:15
Bagamoyo Festival 2009
Video
Documentary of the 2009 Bagamoyo Festival.
00:06:24
BODY WITHOUT A BRAIN
Video
Filmed in Kalimantan (Indonesian Borneo), Body Without a Brain is a high-risk, physically demanding dance for camera. Rianto seems to be in a trance as he creates an unpremeditated encounter with the elements. He describes the work as like a tree without roots. The piece embodies anxiety as the natural world becomes ever more threatened.
00:55:27
Pearson 1
Video
Pearson takes a group of practitioners through the many exercises that formed the central concerns of Brith Gof. These include physical training, spatial and temporal awareness and group choreography.
00:13:02
Meetings poster asset
Video
Katharina Seyferth introduces the forest-based work space of Brzezinka, as she recounts her experience of Grotowski's post-theatrical research known as "Paratheatre" and "Theatre of Sources."
00:08:23
Conquest and Prison
Video
Conquest and Prison is a two-part suite of site-specific dance films set in Grahamstown, South Africa. The two oldest historical sites in Grahamstown are Ft. Selwyn and the Old Gaol, which imprisoned thousands of black South Africans. The choreography of Part I "Oscar's Journey" is Oscar Buthelezi's personal response to the history of colonialism commemorated at Ft. Selwyn. Part II "Child's Play" is similar to the approach in "Oscar's Journey." "Chorographers Lorin Sookool and Julia Wilson reflect on the past as the sounds and images of the gaol continue to echo and resonate today.
00:09:28
dancedance/RE♦VOLUTION
Video
This piece is an excerpt from a half-hour documentary shot in Grahamstown, South Africa, during the annual National Arts Festival (https://www.nationalartsfestival.co.za/2016-festival/). Interviews were conducted with a wide range of choreographers.   This selection focuses on up-and-coming artists Julia Wilson, Lorin Sookool,  Athena Mazarakis, and Kamogelo Molobye.  The works are inspired by challenges facing women, gays, and lesbians in contemporary South Africa. 
00:35:42
Directions for Directing—Directing Shakespeare at “Hamlet’s Castle”
Video
Lars Romann Engel, artistic director of “HamletScenen,” in conversation with Dr. Anne Sophie Refskou, lecturer at University of Surrey, describes his process of working on Shakespeare’s Hamlet. He analyzes the process of working with the text and understanding the context of the play and its significance today. The interview took place in Elsinore, Denmark, in August 2017.
00:19:52
Garzienice natural environment thumbnail
Video
This film, shot in the early part of the 1990s by leading Polish film-maker Jacek Petrycki, shows Gardzienice on the road in the Carpathian mountains in the Ukraine, rehearsing and training.
01:43:05
The Shadow Drone Project
Video
Back to Back Theatre creates new forms of contemporary performance imagined from the minds and experiences of a unique ensemble of actors with disabilities, giving voice to social and political issues that speak to all people. Based in the regional centre of Geelong, the company is one of Australia’s most globally recognised and respected contemporary theatre companies. Seeking to make a body of work that exists in repertoire across time, the company tours extensively locally, nationally, and internationally.
00:04:30
Gifted
Video
Site-specific dance is an investigation of space and place. A static sculpture — steps without a destination — is transformed by dance asking:  What is this place?  Why are we here?  Where are we going? The city across the river is lost in mist.  The GIFTED dancers inscribe the landscape.  Their gift transforming geometry and perspective, re-structuring space. Filmed on location Almada, Portugal.
00:22:11
Kitchen Show
Video
A performance piece which saw Baker open her kitchen to the public and display a set of live actions, making performance from everyday tasks which nevertheless require skill, dexterity and endurance.
00:40:56
let’s take a walk – non zero one – Howard’s Journey
Video
let’s take a walk is an audio journey around the Barbican that starts with a question from a stranger hoping to take us out of our social bubble.
00:21:49
let’s take a walk – non zero one – Rubaiyath’s Journey
Video
let’s take a walk is an audio journey around the Barbican that starts with a question from a stranger who might take us out of our social bubble.
00:03:52
let’s take a walk – non zero one – Trailer
Video
let’s take a walk is an audio journey around the Barbican that starts with a question from a stranger who might take us out of our social bubble.
00:23:00
POETRY LIVE(S)
Video
POETRY LIVE(S) introduces us to the lively diversity of practicing poets --- young, old, men, women, novices and veterans, black and white.
00:15:00
QUEENS DREAM
Video
QUEENS DREAM is a site-specific dance for film at Niki de St. Phalle's Queen Califia's Magical Circle. 
00:26:02
Rasa Dari Tari/The Soul of Dance
Video
The Soul of Dance is an introduction to the vibrant diversity of contemporary dance in Indonesia. Rooted both in tradition and the idioms of modern movement this half hour documentary introduces audiences to work ranging from site-specific solos to multimedia musical theater.
00:42:39
small metal objects
Video
A public domain theatre show, part voyeuristic meditation, part urban thriller, it unfolds amidst the high volume pedestrian traffic of a public space. 
00:26:45
Trolley Dances
Video
Jean Isaacs presents an annual festival of site-specific dance in San Diego, CA. Original dances are created alongside San Diego’s iconic red trolleys. The special energy of this event comes from interaction of artists immersed in the community. In this project art and "real-life" are not rigidly distinct realms. The documentary takes a behind the scenes look at the months long process of creation.
00:02:57
you'll see me [sailing in antarctica] — non zero one — Trailer
Video
A look at the science behind human perception through performance lectures, surround sound, hidden televisions, and sweeping panoramic views of the London skyline. 
01:01:38
you’ll see me [sailing in antarctica] – non zero one – Full length Wide
Video
A look at the science behind human perception through performance lectures, surround sound, hidden televisions, and sweeping panoramic views of the London skyline. 
Commentary
by Peter Hulton
Drawing on a half century of documenting performance across multiple genres, from post-modern dance to physical theater to body work, as well as site-specific performance, with audiovisual examples from some 53 practitioners, including Eugenio Barba, Tim Etchells, Joan Skinner, Kristin Linklater, and Steve Paxton, Peter Hulton’s “A Digital Essay on Performance”considers performance as a body in operation with imagery and attempts to identify some of its foundational features.
Commentary
by Amie Dowling
The films Waterline and Ways to Disappear show the progress of the creative process creating changes in the lives of the incarcerated, their communities, and society.
Commentary
by Freeman, Mark
Atena/Nets (2019) is a 6-½ minute site-specific contemporary dance set in Jamestown, a traditional fishing community in Accra, the capital of Ghana which shows roots in both traditional customs and in an appreciation for international dance practice.
Commentary
by McPherson, Katrina
Commentary
by Calvert, Dave
Reflections on Ganesh versus the Third Reich by Dave Calvert discusses the work created by back to back.
Commentary
by Freeman, Mark
Reflections on Poetry Lives by Mark Freeman.
Commentary
by Freeman, Mark
Reflections on Queen Dream by Mark Freeman.
Commentary
by Calvert, Dave
Reflections on small metal objects by back to back.
Commentary
by Nicolas Whybrow
Urban Sensographis examines the effects the evolution of the cities in the 21st century has on the practices and behaviours of urban dwellers. Key factors such as defensible, retail and consumer space, the lasting legacies of modernist design in the built environment, surveillance technologies, motorised traffic, and smart phone use, the integration of ‘wild’ as well as ‘domesticated’ nature in urban planning and living, as well as the impact of urban pollution on the earth’s climate.
Commentary
by Amie Dowling
The films Well Contested Sites Separate Sentences reflect on the plight of the incarcerated and exposure of their plight, both the condition and the societal issues, to society at large.
Practitioner
Mike Pearson, Professor of Performance Studies at Aberystwyth University, has been creating physical and site-specific works since 1971. He was Artistic Director of pioneering Brith Gof from 1981–97.


Related Items

Practitioner
Mike Pearson, Professor of Performance Studies at Aberystwyth University, has been creating physical and site-specific works since 1971. He was Artistic Director of pioneering Brith Gof from 1981–97.
Category
Environmental theatre, like site-specific work, aims to alter the conventional spatial practices of performance and to enhance the performance’s engagement with its space and site of production.