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Environmental theatre, like site-specific work, aims to alter the conventional spatial practices of performance and to enhance the performance’s engagement with its space and site of production.
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Site-specific performances reveal cities as places of wild nature, elemental movement, social space, and nature restructured with technology all creating a field of converging flows and energies comprising a lived experience.
Katharina Seyferth introduces the forest-based work space of Brzezinka, as she recounts her experience of Grotowski's post-theatrical research known as "Paratheatre" and "Theatre of Sources."
This video presentation features playwright and director Oriza Hirata’s
concept of robot theatre. Making Robot Theatre: An interview with Oriza Hirata of
Tokyo-based Seinendan.
This film, shot in the early part of the 1990s by leading Polish film-maker Jacek Petrycki, shows Gardzienice on the road in the Carpathian mountains in the Ukraine, rehearsing and training.
Back to Back Theatre creates new forms of contemporary performance imagined
from the minds and experiences of a unique ensemble of actors with disabilities,
giving voice to social and political issues that speak to all people.
Based in the regional centre of Geelong, the company is one of Australia’s
most globally recognised and respected contemporary theatre companies. Seeking
to make a body of work that exists in repertoire across time, the company tours
extensively locally, nationally, and internationally.
Gardzienice’s physical and vocal training hinges on two main ideas: mutuality and musicality. It usually begins with song, perhaps discovered on a rural expedition or taken from ancient Greek music.
This workshop has a strong focus on voice work. It takes place on Dartmoor, in an ancient stone circle, a village hall and a garden, and illustrates Suryodarmo’s individual movement practice.
A public domain
theatre show,
part voyeuristic meditation, part urban
thriller, it unfolds amidst the high volume
pedestrian traffic of a public
space.
A look at the science behind human perception through performance lectures,
surround sound, hidden televisions, and sweeping panoramic views of the London
skyline.
A look at the science behind human perception through performance lectures,
surround sound, hidden televisions, and sweeping panoramic views of the London
skyline.
Urban Sensographis examines the effects the evolution of the cities in the 21st century has on the practices and behaviours of urban dwellers. Key factors such as defensible, retail and consumer space, the lasting legacies of modernist design in the built environment, surveillance technologies, motorised traffic, and smart phone use, the integration of ‘wild’ as well as ‘domesticated’ nature in urban planning and living, as well as the impact of urban pollution on the earth’s climate.
Mike Pearson, Professor of Performance Studies at Aberystwyth University, has been creating physical and site-specific works since 1971. He was Artistic Director of pioneering Brith Gof from 1981–97.
Inventor of an influential somatic and performance practice known as ‘Joged Amerta’, Suprapto Suryodarmo has taught and performed in Indonesia, Europe, Australia, the USA and India for over 25 years.
Mike Pearson, Professor of Performance Studies at Aberystwyth University, has been creating physical and site-specific works since 1971. He was Artistic Director of pioneering Brith Gof from 1981–97.
Site-specific performance is produced in non-theatre sites, and aims to engage with the meaning and history or creative impetus of those sites, and reach audiences who might not come to the theatre.