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The text is the actor’s starting and end point when creating a character, requiring a certain forensic analysis to transform the page into flesh-and-blood character. This process is often intuitive.
Combining the insights of a playwright, actor, sound designer and an artistic director, this interview with Adriano Shaplin provides a distinct perspective on ensemble.
Although best known as a playwright, Brecht was a highly original poet. His poems tell us much about his plays, not least his advocacy of survival in a context of resistance to oppression.
Back to Back Theatre creates new forms of contemporary performance imagined
from the minds and experiences of a unique ensemble of actors with disabilities,
giving voice to social and political issues that speak to all people.
Based in the regional centre of Geelong, the company is one of Australia’s
most globally recognised and respected contemporary theatre companies. Seeking
to make a body of work that exists in repertoire across time, the company tours
extensively locally, nationally, and internationally.
Zarrilli’s Psychophysical Acting methodology focuses on the relationship between the actor-as-doer and what the actor does. It (re)examines in practice and theory a psychophysical approach to acting.
A public domain
theatre show,
part voyeuristic meditation, part urban
thriller, it unfolds amidst the high volume
pedestrian traffic of a public
space.
An explanation of how performances are created at Odin Teatret. It describes the stages in the work, presenting the different phases of the process in which text, actor and director interact.
A performance that describes the vicissitudes of the voice of an actor and the stratagems she invents to ‘interpret’ a text. In theatre, actors need to create a labyrinth of rules to follow or refuse.
Bella Merlin’s practical presentation uses Stanislavsky’s Six Fundamental Questions to contextualise a demonstration of ‘practice as research’ riffing off his work, as well as Maria Knebel’s.
Bella Merlin is an actor, writer (of books and music) and Professor of Acting at the University of California, Davis. Her work combines acting processes, theatre history and practice-as-research.
Adriano Shaplin is a New Jersey-based playwright, actor, and artistic director of the Riot Group. His plays have been translated into several European languages, and won four Edinburgh Fringe Firsts.
Julia Varley joined Odin Teatret in 1976. An actor, director, teacher and writer, she is Artistic Director of the Transit Festival, and Editor of The Open Page, a journal of women’s work in theatre.
With his insights into acting and directing, Konstantin Stanislavski forged a definitive position in the development of 20th-century theatre, laying the groundwork for innovators such as Grotowski.
Dance studies range widely: from phenomenological approaches that emphasise the experience of movement; through focus on techniques; to the placing of works in a historical or political context.