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The term ‘installation art’ has been used since the 1960s to designate art practice which explicitly aims to include and refer to its site and context as a crucial constituent of its meanings.
A work that built on Baker’s experience of using autobiographical materials in performances such as My Cooking Competes, blending this with a commentary on domesticity, motherhood and art.
Back to Back Theatre creates new forms of contemporary performance imagined
from the minds and experiences of a unique ensemble of actors with disabilities,
giving voice to social and political issues that speak to all people.
Based in the regional centre of Geelong, the company is one of Australia’s
most globally recognised and respected contemporary theatre companies. Seeking
to make a body of work that exists in repertoire across time, the company tours
extensively locally, nationally, and internationally.
A performance piece which saw Baker open her kitchen to the public and display a set of live actions, making performance from everyday tasks which nevertheless require skill, dexterity and endurance.
A public domain
theatre show,
part voyeuristic meditation, part urban
thriller, it unfolds amidst the high volume
pedestrian traffic of a public
space.
A look at the science behind human perception through performance lectures,
surround sound, hidden televisions, and sweeping panoramic views of the London
skyline.
A look at the science behind human perception through performance lectures,
surround sound, hidden televisions, and sweeping panoramic views of the London
skyline.
Guillermo Gómez-Peña is an artist, writer, activist, radical pedagogue and director of the performance troupe La Pocha Nostra. His work has contributed to debates on diversity and border culture.
Environmental theatre, like site-specific work, aims to alter the conventional spatial practices of performance and to enhance the performance’s engagement with its space and site of production.